Two Cultures

Are you a scientist, or more of an artistic person?   Or maybe you’re a bit of both?  Do you care?  And does it matter?

two cultures
Has the arts-science gap widened fifty years on? ©Tim Jones

It mattered to CP Snow in 1959, when he wrote the essay ‘The Two Cultures’.   Snow saw society split into two groups, or cultures: the artistic intellectuals and the natural scientists (natural because they study the natural world).   Each misunderstood the others language, ideas, and contribution.  The relationship was often one of unproductive hostility.

Fifty years on, towards the end of last month, I joined the London Consortium’s  ‘Art and Science Now’ programme, to see how Snow’s ideas are standing up in the eyes of leading figures from the world of arts, science, public policy, science communication and philosophy.

This post is part summary, part observation, and part photo gallery (thanks largely to  Sven Klinge, whom I met at the conference and who provided most of the pictures here).   Not all the speakers from the Dana event are reported here.   Don’t read any significance into that – its just a time issue.   Also, plenty of additional ideas came through in the final panel session and Q&A, which are likely to inspire future posts – but there’s more than enough to be going on with here.    The full event ran for three days, 22nd-24th January; I joined on 23rd and 24th.

NOTE: now includes a summary of Gillian Beer’s paper not included in the original post

First Day – 23rd January, Science Museum’s Dana Centre

The session kicked off with Steve Connor, Director of the London Consortium, introducing keynote speaker George Rousseau.

Reading a prepared text, Rousseau’s talk majored on the virtues and challenges of cultural collaboration framed as  inter-disciplinary working, including the concept of ‘bridging’.

Today, multi-disciplinary working is needs-driven by otherwise insoluble complex problems, yet we attack and treat with suspicion those who move between disciplines  – “we rush to shoot them down”.   Acknowledging that the best minds have always worked in multiple fields (Rousseau made the standard reference to Lunar Men here) doesn’t seem to help us.

Moving on to ideas of responsibility, can those on each side of the science / humanities divide understand each other sufficiently to be conscious of their respective responsibilities in the world?   Scientists might understand the arts better than artists understand science, but so what if they can’t sort out their responsibilities?   Can we not work with a unified sense of knowledge to achieve that?

Rousseau’s vision is for a world in which we all work across boundaries and know what we have to do (this is what academics call a crude summary).   Rousseau went on to discuss at length what that vision might mean within academia, such as the emergence of multi-disciplinary selection committees filling leading academic appointments with multi-skilled candidates.

Rousseau’s Q&A was short and disappointing.   A question on unified knowledge – asking how the different ways in which artists and scientists define the word knowledge might prevent sensible commune, was not engaged with.  I took the question to mean knowledge derived from ‘feeling’ – acceptable and embraced by the artist, as opposed to the scientists’ equivalent based on the ‘rational’.  But  Rousseau simply declared the word knowledge to be a lexical term and that he didn’t really know what knowledge was.  Considering the forum, I found that answer surprising and unfulfilling.


The Science Museum’s Robert Bud opened the afternoon session with his keynote speech.  Opening his talk with a photo of Dawkins’s atheist bus, Bud quickly took us back a hundred years, to the split between the  ‘two sides of the road’  in South Kensington – close enough to what we call the V&A and the Science Museum today.  The ‘arts side’ was painted as a backward looking centre for the maintenance of elitist taste; the science side more practical and forward looking, representing progressive materialism and a rejection of the spiritual.  The tension between these, Bud argued, formed the roots of Snow’s cultural divide.

Bud set his mission to the clarification of Snow’s real meaning.   In developing the story, he pointed to the iconic importance of Francis Crick’s DNA double helix, not only as the basis for life and replacement for the soul, but as the basis for Crick’s, and later Snow’s, fundamental beliefs.

Referencing an essay by Jacob Bronowski, Bud linked Snow to Crick.   With a letter from Snow to Bronowski as evidence, he showed that the content of Bronowski’s essay,  ‘the abacus and the rose – a dialogue concerning the two world systems‘, was aligned with the real intent behind Snow’s  essay.  Bronowski couched his text as a dialogue between Potts, a Cricks-type scientific stereotype, and Harping, a Kingsley Amis-type reader in English.  In the fictional debate, the artistic protagonist sees no beauty in life unless there is some subjectivity or element of human judgment associated with it.  Potts on the other hand, the scientist, has no need of that.  In other aspects too, the  Harping character generally meets our modern stereotype of an anti-technology, anti-progress, luddite.  This is starting to remind me of the themes in Dawkins’s ‘Unweaving the rainbow‘.

Sure enough, having implicated Crick with Bronowski’s Potts character, and aligned Bronowski’s views with the intent of Snow’s essay, Bud now linked Crick to Richard Dawkins.  Not only through their shared activity on genetic themes, but also through Dawkins’s atheism, expressed so recently on the sides of another British cultural icon – the London Bus.

Through this elegant, methodical, approach with use of evidence, Bud had boxed down Snow’s intended meaning to the sort of black and white intellectual stand-off that is unfashionable in some quarters.   Alan Sokal would later show a similar level of attention to the content and bounding of his argument.

Bud concluded, for the avoidance of any doubt, with this reference to the two cultures debate:  [it has] “not been primarily about the conflict between academic disciplines, between whether history or physics is more important, it’s been about materialism against the reality of non-material entities; about god and life.  Thank you

Second Day – 23rd January, Tate Modern Art Gallery

This was the first time I’d seen Marcus du Sautoy in the flesh.

Marcus du Sautoy - Bridging
Marcus du Sautoy – Bridging (Photo Sven Klinge)

With an appearance and demeanor  somewhere between a children’s TV presenter and a younger Jasper Carrott, wearing a tee-shirt emblazoned with the phrase  ‘i are scientists‘,  I can see how he’ll fit well into Dawkins’s old job, but definitely not his shoes.

Full of energy and wit, there is also something of the diplomat about du Sautoy.  The recurring theme of  ‘bridging’ came up, with maths as the unlikely bridge between science and the arts.  Du Sautoy explained the mathematical structure of music; he is involved in a range of projects that link the two.  He was sympathetic and supportive of the ‘artist in residence’ type of cross-rift exchange that one audience member was involved with.

Sad as it might seem, I’ve often pondered on behalf of Anthony Grayling, as to the wisdom of a book-branding philosophy that entails the title ending with the words “…of things”: ‘The Mystery of Things’, ‘The Reason of Things’, ‘The Meaning of Things’, ‘The Heart of Things’, ‘The Form of Things’ , for one tract of his extensive range of popular philosophy books.  Maybe it’s just me, but agonising over a purchasing decision in a bookstore, I can never remember which of these ‘things’ editions I already own, and invariably end up leaving the store empty handed.

Anthony Grayling and Ben Goldacre (Photo Sven Klinge)
Anthony Grayling and Ben Goldacre (Photo Sven Klinge)

Yet Grayling remains the philosopher I feel I could most comfortably engage with in chat over a beer.  His ability, without patronising, to transpose  complex ideas into the common tongue, combined with an unforced sense of humour, is appealing.

Grayling approached Snow from historical and educational perspectives.  Again, as Bud had stressed earlier, Snow was late to the debate.  In the early decades of the 20th century, Wittgenstein , whose texts Grayling reminded us would be familiar from our previous night’s bath time  reading, had defended the ‘feeling’ world of morality and religion from the reductive encroachments of the empirical scientists’ world view.

Anthony Grayling (Photo sven Klinge)
Anthony Grayling (Photo Sven Klinge)

In 1880, at a time when the so-called Civic Universities, like my alma-mater Birmingham, were for the first time concentrating on scientific and practical subjects, Thomas Huxley addressed the issues perceived around the arts and sciences, spelling out the importance of a scientific education for all in understanding the world.  In retort, Huxley’s friend Matthew Arnold, while agreeing with much of his colleague’s argument for science, strongly defended a complementary role for the humanities as a vehicle for human reflectivity – amongst other virtues.

Yet class  was to override any happy balance that the Huxley-Arnold discourse might have anticipated.  The wealthy and influential social elite, trained in the classics from school through to Oxbridge, were empowered and equipped to exercise a disproportionate influence over society, compared that is to the growing, parallel yet separate, class of technically proficient industrialists.

A.C.Grayling and Gillian Beer
A.C.Grayling and Gillian Beer (Photo: Tim Jones, Darkroommatter.com)

Key developments in the twentieth century, Grayling argued, were a change in status for science in recognition of its  indispensability to modern infrastructure and the exercise of war, and the increase in complexity and requirement for specialism in scientific pursuits.

Specialism led to streaming in the schools system, separating the population at an early age into classicists and scientists.  It was this galvanisation through specialisation of an already divisive educational system that, Grayling argued, had prompted Snow’s commentary.  The powerful elite saw the importance of science, but without understanding.  It prompted the pithy rationale of keeping the “expert on tap, not on top”.   Efforts by the ‘new’ universities to introduce reciprocal training for arts and science students enjoyed  abject failure.

In summing up the position today, Grayling considered that in important respects, and specifically with regard to the scientific literacy of the general public and elected officials, Snow’s gap is very much wider fifty years on.  Further, this condition is damagingly influential on how scientific issues are being read.  Grayling pointed to how the public debate on evolution could only persist through ignorance of biology, causing a mistaken belief that there is any substance at all in the contrary argument.  The tradition of thinking in the humanities is, Grayling believes, more towards the need for neat answers and closure to issues and debates, representing the antithesis of the scientific acceptability of open ended questions.

Grayling closed with an appeal for scientific literacy, achieved in part through a change in attitude towards, and engagement as adults with, life-long learning.

The relevance of Charles Darwin to a debate on Snow might not be obvious; yet Gillian Beer made it so.

Gillian Beer on our attitude to extinction (Photo Sven Klinge)
Gillian Beer on our attitude to extinction (Photo Sven Klinge)

Before developing her main theme around extinction and Darwin, Beer informed us that Snow’s main reason for wanting to see science and technology working effectively in the world was so it could be used to combat global poverty.   Maybe that is a less well known, more human, driver in the debate around Snow’s motivations?

As it turns out, as illustration, Darwin’s attitude to extinction, and the various interplays of scientific, social, and personal experience that influenced that attitude, have much to inform our thinking.    When human beings are involved, thoughts and actions are rarely down to science alone.

For Darwin, said Beer, extinction was an ordinary necessity in the process of natural selection.  Without extinction there would be no new animals, no improvement.  And anyhow, the whole process dovetailed nicely with the Victorian cultural values of progress and hierarchy.

There was some sadness attached to species loss, yet the world remained full and in balance.   Why react?  Extinction is a gradual process; Darwin scoffed at the idea of cataclysm.   And there was every reason to believe the animal kingdom could continue to look after itself well into the distant future.

The very far  future was different though.  A cooling sun and dying earth played on Darwin’s mind.  The religious had their afterlife, but for Darwin the finality of an extinction of man was an intolerable prospect.

How different things are today.

Extinctions are more simultaneous and widespread; we contemplate E.O.Wilson’s ominous forecast of 50% species loss over 50 years.  And we feel guilt.  We can place five historical mass extinctions, and further cataclysm is a real prospect on a warming earth.

More positively, stuffed animals in glass cases have made way for movie films of living, moving, animals.    And, while like Darwin, we  might not see a personal eternity, our understanding of genes at least gives us some intellectual compensation that something  continues.

In her close, Beer came back to the theme of the interaction of science and culture over time, [concluding that while]:

different elements of Darwin’s theory point in different directions, and have been pressed into service by opposed ideologies; that does not undermine his experimental evidence or his theoretical reach, but it does I think demonstrate how the cultures of scientific enquiry, social assumption, and bodily experience all interact, over time, to change ideas.  Thankyou.

 

This was my second serving of Ben Goldacre in a week; having heard  him speak at a Centre For Inquiry event reported here.

Ben Goldacre
Ben Goldacre (Photo Sven Klinge)

Today, less spontaneous and the better for it, Goldacre’s rant was unambiguously focused on the evils of the ‘humanities graduate editors’ of  mainstream news media.He really hates these guys, whom for Goldacre most closely resemble the Snowian (Snowic?, Snowoid?) stereotype of artist as scientific philistine –  ignorant, and dangerously active with it.

Goldacre’s thesis is that we have moved beyond a condition of mere disconnect in which arts graduates are dismissive of science, to one in which the same group feel entitled to make comment in areas and on subjects they know nothing about.   He resents the lack of in-depth science reporting in the mainstream media and, as a mantra now, champions the non-specialist  but educated reader – the people who “did bio-chemistry at Leicester, and now work in senior management at Marks & Spencers“.   He went on to illustrate his talk with slides covering a whole range of mercilessly crass and inaccurate reports extracted from his beloved tabloids and equally unsafe broadsheets.  For more, see Ben’s book Bad Science for an enjoyable read.

Goldacre gets his important points across with a sense of fun.   That said, today’s comic highlight was at his own expense when, during the final panel session, a deferential compliment back-fired.  Having answered a string of audience questions specifically addressed to him, Ben now paused to announce that as a mere ‘D-list’ public intellectual he should defer to the  ‘B-list’ public intellectuals – Grayling and Sokal – seated either side of him.Ben’s categorisation was arguably correct for a small population that counts Dawkins in its number, but that didn’t stop Ben changing colour in response to Grayling’s playful objection to his grade.

Jonathan Miller doesn’t like to be called a polymath.

Jonathan Miller
Jonathan Miller (Photo Sven Klinge)

But what do you call a writer, performer, neurologist, and internationally distinguished director of theatre and opera?  Perhaps Steven Connor’s introduction of Miller as an intellectual amphibian was more acceptable; it got a smile.

Sitting across from his interviewer, Associate Director of the London Consortium Colin McCabe, Miller played upon his  intimidating status to the full, a status that has earnt him the right, and the expectation from others, to speak plainly.  He did so with a vengeance.

The idea of  ‘Two Cultures’ would be first a mystery, and second anathema, in the household of Miller’s formative years.   Engaged equally and variously as artists and scientists, the family were  simply doing what intelligent people did; they flitted effortlessly between interests.

Jonathan Miller (Photo Sven Klinge)
Jonathan Miller (Photo Sven Klinge)

Schooling had played a part, but only in the form of an unruly master who ignored the formal curriculum, a reference that put me in mind of Richard Dawkins’s  reminiscing  about his happy days at Oundle School.   But how far would those examples get, elitist at best by current fashion, as educational models today?

With his neurologist cap on, Miller shared his fascination with the mind’s learning and skills capabilities.  For example, taking three days off from a failed activity can result in a skill magically appearing, subconscious processing  having kicked in unbeknown.

Miller’s latest interest is to form shapes and assemblies out of metal, just structures that interest him and which, again, he resists to label as art.   Art and science are very different things to Miller.  Most art is “to do with people doodling“, while science is “quite clearly directed enquiry prompted by a context which determines what is going to count as an interesting problem“.   He sees the “rightness” of what constitutes a satisfactory artistic endeavour is totally different to the “rightness”  of what can be concluded from science.

Miller took a similar line to Bud, in so far as he saw the important differences between art and science as quite fundamental.  As for the two helping each other out, Miller has  “deep suspicion of this notion of being artist in residence‘, a reference to an earlier audience point, and what he saw as an unnecessary  formalisation given that art and science are ‘in residence’ within each of us all the time.  He pointed to a nine year period between 1905 and 1914, when interesting developments ranging from relativity to cubism, to the de-construction of music, appeared as the products of a natural cross-fertilisation of interests.  The first cubist artists, responsible for the development of military camouflage, were not “artists in residence“, but “artists in uniform“, their input naturally falling into place.

Miller’s point, that the propensity for the arts and natural sciences to unconsciously intermingle is a product of the time we are living in, may well be valid.  Yet do we live in such a golden age today?  Maybe we need to make some clunky ‘artist in residence’ type gestures to kick the right-thinking along.  Miller conceded that the very complexity of science today made polymathism [my word!] a challenge; there are too few hours in the day.  Indeed, to expand on a recurring theme, it is problematic enough today for scientists in the same subject area to understand each others’ work.  In my experience, it is the same complexity and associated promise of narrowness that drives potential candidates away from a training or career in science.

In a forgivable ploy to avoid final-session empty seat syndrome, Alan Sokal was held back till the 4.00pm slot.

Alan Sokal and Patrick Wright
Alan Sokal and Patrick Wright (Photo: Tim Jones, Darkroommatter.com)

Sokal is something of an icon for followers of the arts-science debate.  In 1996, he wrote a spoof academic paper parodying the pseudo-intellectual content and style then being used by an academic group known as the cultural relativists – signatories to a particularly strong  flavour of post-modernism.  Their thesis as it applies to science is that science is made up – constructed –  by people to meet their political wants.  Any cultural relativist could write a ten thousand word essay on how over-simplistic that definition is; but that’s partly the point.  There is a socio-cultural angle to the most astringent definitions of science, but in the 80s and 90s it all got out of hand.  Meanwhile, Sokal’s meaningless paper was accepted and published by the journal ‘Social Text’.  His own revelation that the paper was meaningless did much to expose the low standards of evidence and understanding in the prevailing discourse of the cultural relativists.  It also precipitated what became known as ‘the science wars’.

Alan Sokal having a happy birthday (Photo Sven Klinge)
Alan Sokal having a happy birthday (Photo Sven Klinge)

Speaking on his birthday, Sokal immediately set out a field he could play on.  That meant  focusing on the relationship of science and scientific inquiry with society as a whole, rather than the Snow question per-se, and defining exactly which definition of science he would be talking about.

Sokal’s was an  appeal for a scientific world view in which we are all scientists, some better than others perhaps, but all working to the same rules.    The corner stones of this vision would be clear thinking and a respect for evidence.

Clear thinking meant also the clear writing that Sokal, and earlier Grayling, had demanded.  But what is science?   It suits some academic commentators not to bolt down definitions in this way, they see it as restrictive and narrowing of debate, but Sokal is firmly out of that camp.  It’s worth pondering Sokal’s four definitions of science:

  1. It denotes an intellectual endeavour aimed at a rational understanding of the natural and social world
  2. It denotes a corpus of currently accepted substantive knowledge
  3. It denotes the community of scientists with its mores and social and economic structure
  4. It denotes applied science and technology

Again, there are those who would argue the first two cannot be discussed outside of the second two, and would attach especial dependency of 1,2,and 4 on 3 – the social aspect.  Not so Sokal.

As if nothing had changed in the thirteen years since his ‘exposure’ publication, he launched a scathing attack on those who would deny that scientific knowledge constitutes objective knowledge of a reality external to ourselves.   In these moments, in that lecture hall, it felt like Snow’s rift had evaporated – ‘science’ had won.  There was no robust response from the floor as Sokal ridiculed one sociologist after another by relaying quotes from his book Beyond The Hoax.   For example:

the validity of theoretical propositions in the sciences is in no way affected by factual evidence – Kenneth Gergen

the natural world has a small or non-existent role in the construction of scientific knowledge – Harry Collins

for the relativists such as ourselves, there is no sense attached to the idea that some standards or beliefs are really rational as distinct from merely locally accepted as such – Barry Barnes & David Bloor.

For Sokal, this type of writing, and the thought behind it, aims to confuse truth with claims of truth.  Of course, any post-modernist worth his salt would head that one off at the pass with a denial of there being any absolute truth.   Sokal conceded that the more extreme forms of post-modernist thinking were now in retreat, in part due to his own efforts, but mostly due to the example provided by George Bush of where “science bashing” can worryingly lead.

A diversion into pseudoscience complemented Goldacre’s talk and led into the real point Sokal wanted to address  – the universal applicability of the scientific method across all areas of human activity.  Why do we use one set of standards for evidence in physics, chemistry and biology, and then relax the standard for religion, medicine or politics?  Sokal interestingly framed his argument for a unified approach as the “inverse of scientific imperialism“, whereby science should be seen as just one instance of the application of a rational world view in which empirical claims are supported by empirical evidence (the antithesis of dogma).

So at the end of the conference we had returned to a dichotomy of  rational and dogmatic world views  that Bud, the day before, had used to characterise and clarify as Snow’s true intent, and which Grayling had reinforced as the real issue.  And in conclusion to his talk, Sokal stated his belief that the transition from the dogmatic to an evidence-based world view is very far from being complete.

Notes

Gillian Beer was King Edward VII Professor at the University of Cambridge

Ben Goldacre is a writer, broadcaster, and medical doctor.  He has a weekly Bad Science column in the Guardian newspaper

Anthony Grayling is Professor of Philosophy at Birkbeck, University of London

Marcus du Sautoy is Charles Simonyi Professor for the Public Understanding of Science and Professor of Mathematics at the University of Oxford

Jonathan Miller is a neurologist, writer, TV presenter, director of plays, and many other things!

Alan Sokal is a Professor of Physics at New York University and Professor of Mathematics at University College London


Mainstream Press on this topic

The crossing of the intellectual divide – Steve Connor, The Indpendent (newspaper) 6th Feb 2009.  Connor’s article makes mention of events at the day of the conference I did not attend at Birkbeck College, so worth a read.

Dogs Are Spies From Venus

Contrary to popular belief, dogs are in fact spies from Venus.  So maintained University of London philosopher Steven Law at today’s Centre for Inquiry London ‘Weird Science’ event at Conway Hall.

Ben Goldacre (left) and John Law
Ben Goldacre (left) and Stephen Law at ‘Weird Science’ today. Photo:Tim Jones

In doing so, he applied the same faultless logic and interpretation of evidence used by young earth creationists, defending their belief that the universe is only 6000 years old.  Say no more.   And that was pretty much the tone for a day of  talks on the science of the weird, wacky, and flaky variety, from Ben Goldacre (”Bad Science” in the Guardian), Professors of anomolous psychology Richard Wiseman and Chris French, and philosopher Stephen Law.

Conway Hall (Photo:Tim Jones)
Conway Hall (Photo:Tim Jones)

Before sharing what a great show this was, let me digress for a bit on CFI London itself.   CFI London are at pains to explain in their FAQ that they don’t see science and reason as the be all and end all, but their positioning, and the topics they choose to discuss, for me at least force the issue of the incompatibility of science and religion.  Once you engage in a discussion on human psychology and the concept of what it means to be rational, the polite separation of science and religion becomes difficult to maintain.  It will be interesting to see how CFI’s event programme and various potential allegiances with secular interests develop.

Anyhow – it was a great show.  Richard Wiseman, hotfoot from an evening debunking mediums with his mate Derren Brown, illustrated how easily our perceptions can be fooled and our attention directed.   Familiar gestalt switch examples, like the rabbit-duck picture, made an appearance, along with excerpts from Richard’s various TV appearances, including a hilarious debunking of firewalkers, and these clips: the amazing floating cork, and the colour changing card trick.

You might remember Chris French, a psychology professor from Goldsmiths, as the guy who organised the dowsing trials on Richard Dawkins’ ‘Enemies of Reason’ TV show.  French re-lived with us that demonstration of the refractoriness of dowsers’ belief in the face of out and out debunking, and shared the results of a study that aligned personality traits with the likelihood of belief in conspiracy theories.  Those more prone to belief tend to (a) have low trust in people, (b) feel alienated from society, (c) are quick to make assumptions from partial evidence.

Richard Wiseman
Richard Wiseman at ‘Weird Science’ today. Photo:Tim Jones

Writer, broadcaster, and medical doctor Ben Goldacre, while outspoken and opinionated, sticks to subject areas he knows something about.  That’s why he doesn’t address environmental issues and such like in his column and blog; their complexity not lending itself to case-based, winnable on evidence, 650 word analyses.

Ben shared his trademark disgust at alternative medicine and quackery, but majored on the rise and demise of medicine – through the Golden Age from the 30’s to the 70’s – after which the low hanging fruit dried up and major breakthroughs fizzled out.   His point – we should all get real that our level of understanding of much desease and suffering is still pretty minimal and (my words) – shit happens.   Although Ben’s book ‘Bad Science’ is still hot off the presses, his words reminded me of another honest text with a medical flavour – ‘The Rise and Fall of Modern Medicine’ by doctor and Telegraph columnist James Le Fanu; check it out.

Ben Goldacre
Ben Goldacre at ‘Weird Science’ today. Photo:Tim Jones

Mainstream newspapers, and particularly their ‘humanities graduate’ editors (I’m sure he’s not talking about scientifically trained SciComs Grads here) got it in the neck big time, as did the various PR and press agencies that feed them.  Why, when literary criticism of the highest intellectual level gets column space, do we not see science coverage of the same professional calibre?  Goldacre also, admirably, subscribes to the BBC Horizon dumb down theory. (There are still Horizon dumb down deniers out there – believe it or not.)

Ben’s closing comments were encouraging  – but not for mainstream conventional print journalism.  He saw no solution to the dire journalistic picture he’d painted – it’s simply what the market wants.  But the rise of the blog is changing everything, cutting out a middle man who is adding less and less value.  And if we doubt a blog’s content? – check the source references; all good blogs provide the links.

The Best Environmental Science On TV

On Monday, I joined an awards evening celebrating the best environmental science and technology productions made for European television. The categories were: drama, general programmng, new media, and an extra jury prize for exceptional content.

The MIDAS awards were hosted by PAWS – as the name suggests, a group promoting the public awareness of science. The evening also included a keynote address by Sir David King – until recently the UK’s Chief Scientific advisor, and a related panel discussion on climate change. I’ll share the messages from that in a future post.

On to the award winners. They won’t mean much outside Europe, but at least you can see the themes that are popular.

Best drama award went to the BBC‘s ‘Burn Up’ – which anticipates the lead up to Kyoto 2 in 2009 with a volatile mix of politics, science and big oil.

BBC’s Trailer to Burn Up

Best General Programming went to an edition of the Belgian VRT series Fata Morgana, about getting local people involved in environmental challenges. For four years I lived a stone’s throw away from the VRT TV tower in Brussels and, watching the clip, found the local flavour of this type of programming ‘very Belgian’ – meant in the most complimentary possible way!

Best New Media award went to Germany’s ZDF Interactive for their ‘Consequences of Climate Change’ – a truly interactive production in which viewers can explore the effect of drought and floods by keying in various parameters. This was an excellent use of new media I’m sure we will see much more of. If I can get a link to a clip or screenshots of this, I’ll post it.

The jury special prize went to The Netherland’s VPRO Television and ‘Waste equals Food’, concerned with cradle to grave understanding of products’ impacts on the environment. Examples included Nike’s design of running shoes for optimised recycling, the soles typically reappearing in sports court surfaces.

Thin Film of Technology at the BFI

Yesterday evening I joined the British Film Institute’s ‘BFI 75 – A Story in Pictures’ on London’s South Bank,  celebrating 75 years of film and TV culture through a mix of archive clips and interviews.

75th Birthday

The evening was hugely enjoyable. What a delight to see Leslie Phillips, beloved of the Doctor and Carry-On films, take up the microphone with his trade mark saucy “Hello” . And to be transported back to 1901 with big screen footage from the Mitchell and Kenyon archive, beautifully restored, complete with live piano accompaniment.

Science and technology was represented by films about the railways and telephony.  From John Grierson’s GPO Film Unit, that produced industry and transport films in the 1930s, was a sequence from ‘The Fairy of the Phone’, a fantasy involving female telephonists singing and standing atop telegraph poles.

Ironically, given the light coverage of science in the main program, later discussions and guest commentaries addressed the role of technology for enabling positive change in the industry, like the accessibility of professional quality, low cost, equipment. More exotically, Frank Skinner looked forward to a cinema world of wrap-around 3D, while another pundit held out for the holy grail of odorama (a low tech scratch ‘n’ sniff version has been done).

For further Reading on science in documentary film and T.V. See Timothy Boon’s Films of Fact: A History of Science Documentary on Film and Television

Santa Barbara Museum of Natural History

Despite being a regular visitor to California over the last couple of years, I’ve only today made the two hour drive from Los Angeles to Santa Barbara; and a beautiful and interesting place it turned out to be.

Enviable Location. All rights reserved Tim Jones 2008.

Santa Barbara’s Museum of Natural History may be smaller than its South Kensington or Los Angeles cousins, but its collections are comprehensive and its situation enviable . Sitting atop a shady gully in a forest setting, the museum, like so much of the understated value in this city, nestles in suburban anonymity. Through the front door, all the expected departments – from mineralogy to dinosaurs – spar off from a central courtyard.

Found on the Beach. All rights reserved Tim Jones 2008.

There is a complete blue whale skeleton in the front parking lot and a tranquil nature trial in the ajoining forest. The current special exhibition is a collection of dinosaur finds from Paul Sereno and teams’ dig in Africa, including whole skeletons which tangibly illustrate the simultaneous but geographically isolated (post Pangaean break-up) evolution of Africa’s version of the T-Rex.

Africa's T-Rex
Africa's T-Rex. All rights reserved Tim Jones 2008.

I found the range of exhibits truly diverse and a little surprising, particularly with slices of Von Hagens’s ‘6 metre woman’, (on loan from Bodyworlds in LA) suspended nearby a more traditional collection of 1920s stuffed mammals. Well worth the $10.

.

Thinktank – Birmingham Science Museum

Thinktank, Birmingham, UK (Photo: Tim Jones)
Thinktank, Birmingham, UK (Photo: Tim Jones)

It must be over ten years since I last visited the Science Museum in Birmingham (UK), so yesterday’s visit to the present incarnation at Birmingham’s Millenium Point was way overdue. Now called Thinktank, the museum’s new name reflects more than simple rebranding; there have been some real content changes. The most obvious change is the introduction of the Science Centre format.

Thinktank Birmingham: a mix of science centre....
Thinktank Birmingham: a mix of science centre....
And 'conventional' museum.
And 'conventional' museum. (Photo:Tim Jones)

On reflection, the old Science Museum was always ahead of its time when it came to interactivity. The traditional glass-cased exhibits featured in abundance, but many could be brought to life by pressing of a button, activating a motor, sliding a piston, turning a cam, or rotating a prism. Modern science centres have taken interactivity to new levels, and the glass cases have largely gone, but Birmingham led the way.

The new complements the old in Birmingham
The new compliments the old in Birmingham

I enjoyed the agreeable hybrid of Science Centre and older style displays at Thinktank. Birmingham and the ‘Black Country’, as the region is still referred to in deference to its industrial past, has a rich history in science and technology; the evidence of that history needs a home too. Hence we find Thinktank Level ‘0’ populated by Boulton and Watt steam engines, plus other heavy engineering legacy exhibits from the former site: the steam locomotive City of Birmingham, and a speed record-breaking car. Shadows of the region’s former industries and crafts are also represented: jewellery, watchmaking, and gunmaking (the Birmingham gun barrel proofing house is still intact within a quarter mile of the site).

All in all a good day out and well worth the visit.

Find Out More

Thinktank – Birmingham Science Museum at Millenium Point, Birmingham

www.thinktank.ac