I’ve just started playing with Dipity timelines, and as it’s Thomas ‘Darwin’s Bulldog’ Huxley’s birthday today, 4th May, here’s a work-in-progress showing some of the events in his life.
It’s many years since that winter weekend I met up with friends in the UK’s Lake District National Park, intent on hiking the slopes of Helvellyn.
Helvellyn (Photo: Simon Ledingham, WikiCommons)
We’d arrived in groups from various locations, and it was during the traditional kitting-up ritual, managed out the back of our respective vehicles, that the full realisation of my ill-preparedness struck home.
Confidence in my sturdy boots and fleece failed to counter the sinking dread I felt as my friends systematically bedecked themselves, NASA pre-flight-ops style, with all the latest snow gear. The thing was, I simply didn’t own, or had neglected to bring, the mittens, over-trousers, goggles, and miscellaneous species of crampons and ice-axe recommended by the now darkening sky.
Just as well I was in the safe invincibility of my early twenties.
So off up the hill went we. Almost immediately it started snowing – gently at first, with a serious deterioration setting in at 2000 feet; a full-blown blizzard now: horizontal snow, near zero-visibility, heavy reliance on compass etc.
I stood clown-like, my gaiterless cotton trousers stiff as boards, the ice caking and cracking as I lifted my legs through the thick snow. My fingers and face went numb. Resplendent in Gortex, my fellow hikers peered out from their hermetic cocoons, reflectorised goggles glinting from deep within wind-cheating hoods. Proffered spare socks were gratefully accepted and fashioned into makeshift gloves.
Then as the storm blew into near total white-out, we made the only possible decision, irrespective of equipment, and turned around.
Had we pushed on, things could have got nasty. As it was, we’d still managed something of a walk, and I guess I got what I deserved by way of a sound freezing and lesson learned. You’ve got the picture.
In Good Company
This mildy embarrassing tale comes to mind because of research I’ve been doing into the history of botany (and science stuff in general) in Wales.
And as it turns out, I’m not the first to show up for a mountain ascent without the proper kit. What’s surprising perhaps is that, among scientists of the Victorian age, that honour goes to none other than seasoned Alpinist John Tyndall and ‘Darwin’s Bulldog’ Thomas Huxley for their 1860 ascent of – not Helvellyn this time – but Mount Snowdon in North Wales.
Snowdonia was a major stomping ground for botanists in the 18th and 19th centuries, and by the 19th century, professional guiding had become quite a local industry.
In ‘The Botanists and Guides of Snowdonia’, Dewi Jonesdescribes how mountain guide Robin Hughes first met up with Tyndall and Huxley:
“Robin Hughes was 61 when he guided John Tyndall, the famous alpine mountaineer and scientist, up Snowdon from Gorffwysfa (now Pen y Pass) in 1860. Tyndall, despite his Alpine experience, had arrived in the area on a snowy December day rather ill prepared for a winter assault on Snowdon, but they managed to gain the summit despite having to wade through drifts of soft snow. Tyndall, with his friend Huxley, had brought no ice axes or gaiters with them. They bought two rake handles at a shop in Bethesda, while on their way from Bangor to Capel Curig, and had the local blacksmith fit them with rings and iron spikes. During the ascent Tyndall complained of numbness in the feet as the result of his boots becoming filled with snow due to the absence of gaiters.“
So, with all due credit for the last minute improvisations, one still wonders what they were thinking – especially Tyndall. With Tyndall aged 40 and Huxley 35 in 1860, it’s not like either man could claim the inexperience of youth.
A bit more digging suggests Huxley at least was distracted. The Snowdon trip had been arranged by his wife Nettie, with the help of Tyndall, to relieve the depression he suffered at the recent death of their son, Noel. That Nettie had soon after given birth to another son only added to Huxley’s confusion (Desmond):
[Hal hardly knew whether] ‘it was pleasure or pain. The ground has gone from under my feet once & I hardly know how to rest on anything again’
Desmond continues:
Nettie…..conspired with Tyndall to get Hal away. That meant one thing. In unprecedented Boxing Day frosts, when the thermometer plummeted to -17 degrees, Busk and Tyndall marched him off to the rareified air of the Welsh mountains, reaching Snowdon on 28th December. The grandeur of it matched ‘most things Alpine‘. (Busk is George Busk (TJ)).
On 19th December, Huxley had written to his friend Joseph Hooker that he was:
“…going to do one sensible thing, however, viz. to rush down to Llanberis with Busk between Christmas Day and New Year’s Day and get my lungs full of hill-air for the coming session.” (The Huxley Letters.)
Llanberis is the village at the base of Snowdon, and Pen y Pass the highest point in the nearby pass. There’s a pub there now, and in 1860 an inn, where, according to Tyndall, Hughes fueled up with whisky before the trip, [and Huxley doubtless topped off his brandy flask] (Tyndall).
Fifteen years later, writing his book Hours of Exercise in the Alps, Tyndall’s torment on Snowdon was fresh in his mind:
“I had no gaiters, and my boots were incessantly filled with snow. My own heat sufficed for a time to melt the snow; but this clearly could not go on for ever. My left heel first became numbed and painful; and this increased till both feet were in great distress. I sought relief by quitting the track and trying to get along the impending shingle to the right. The high ridges afforded me some relief, but they were separated by couloirs in which the snow had accumulated, and through which I sometimes floundered waist-deep. The pain at length became unbearable; I sat down, took off my boots and emptied them; put them on again; tied Huxley’s pocket handkerchief round one ankle; and my own round the other, and went forward once more. It was a great improvement – the pain vanished and did not return.”
And that’s pretty much the story. Maybe it’s because I know the territory so well, or just that I’m a big fan of both these guys; but I love the imagery of Huxley and Tyndall spilling out of Pen y Pass with their half-cut guide, then trogging up Snowdon with their frozen feet and rake handles.
Anyway, all this staring at a computer screen is unhealthy; I’m off out.
Now where did I put those gloves……
Sources
Jones, Dewi. The Botanists and Guides of Snowdonia. Pub. Gwasg Carreg Gwalch (Jun 1996), ISBN-10: 0863813836, ISBN-13: 978-0863813832
Tyndall, J. Hours of Exercise in the Alps. Pub. Appleton and Company 1875 (Tyndall originally described his exploits in the Saturday Review 6 Jan 1861 as ‘The Ascent of Snowdon in Winter‘, but clearly felt the tale was worth re-telling in his Alpine book)
Desmond, Adrian. Huxley The Devil’s Disciple. Pub. MIchael Joseph 1994. pp 289-290.
The film Creation went on general release in the UK today, and as I’m just back from a lunchtime viewing, here are a few thoughts on the movie while it’s still fresh in my mind.
To cut to the chase: enjoyable film, with great performances from Paul Bettany as Charles Darwin and Jennifer Connelly as his wife Emma. I’m giving it 4 out of 5 stars.
Very odd start though. I arrived at 12.10 for a 12.15 showing and had the theatre entirely to myself. By 12.30 ish, when the ads were over, the final audience had grown to six people. I know most folk can’t just knock off for the afternoon, but I found it surprising all the same; clearly not one for the pensioners.
I’ve made a point of not reading most of the Creation reviews already out there; just one or two quickly once over. So I’m relatively untainted but sufficiently informed to pick up on some of the obvious criticisms.
One of those criticisms has concerned the film’s factual accuracy. But as few viewers will have read the various biographies and letters, it strikes me that the emphasis should be more on identifying only serious material misrepresentations – and overall I don’t believe there are any (an exception is Huxley’s character – read on).
I was pleased to see certain events included: the failure to ‘civilise’ the Fuegan kids, the water cures, the influence of Hooker & Huxley, Darwin’s animosity with his local church, and Wallace’s letter.
At times though, I felt some incidents and issues had been slotted in because they had to be there – as if the director had a check list of ‘leave that out and the Darwin aficionados will play hell’. That’s how I felt about Huxley’s appearance anyhow. Arguably, Huxley came in to his own in the affairs of the Origin only after its publication – exactly the point at which this film ends. But the filmmakers have done T.H. an injustice all the same; the take-away impression of the man is just wrong. Richard Dawkins wasn’t overjoyed with the portrayal, and I can see why; the character is out of kilter with the historic record, and may as well have worn a ‘new atheist’ sash. (I find New Atheist a silly term; what is an old atheist? – Quiet?). Intellectually, the portrayal is overly one-dimensional and aggressive. Physically, Toby Jones is too short to portray a man whose height and presence in reality matched his intellect. They got Hooker’s whiskers down to a tee, so why not Huxley?
The core narrative revolves around Charles’s relationship with, and thoughts about, his daughter Annie. I don’t know the actor who played Annie, but she has an obvious future in Hollywood. We don’t get to know the other children anything like so closely as we do Annie; and the intellectual, as well as emotional, bond between Annie and Darwin is particularly well developed. There is something of the co-conspirator about Annie – a sense of allegiance lacking in Emma until a reluctant appearance in the final scenes.
The various ghost sequences have been criticised, but again, I just saw these as a device to illustrate Darwin’s pre-occupation. I don’t think he actually ran about the streets chasing his dead daughter (but please correct me if you know different).
All the themes in the movie ultimately link back to the Origin and what it stands for. One of the more human incarnations of that influence is the Emma – Charles relationship. Here I’d liked to have seen Emma’s philosophy explored a little more – even if the detailed story-line were credibly fabricated (biographers do this all the time). I guess we can never know someone’s innermost thoughts on life, the universe, and everything – no matter how many letters we read; but I felt the middle ground that our two protagonists must have found could have stood a little more exploration.
And never mind the movie, I find this theme of different fundamental philosophies within a relationship fascinating. I wonder how many couples today mirror Charles and Emma? This is a personal blog, so I can say that I would, for example, find it challenging at best to live with a partner who I knew was going to hell. That said, I have friends in atheist/Christian marriages who appear to get on just fine.
Which brings us to the big issue: is there a conflict between science and religion? Back to Huxley, I suspect the director intentionally set him up as the fall guy on this score; he can safely be hated for his total lack of religious accommodation early on in the film. Hooker does pop up now and again to reinforce the atheist line (the word is not used – nor is Huxley’s later derived ‘agnostic’), but never with Huxley’s brand of enthusiastic venom.
So what will a religious person make of this movie? After all, wasn’t it the possible religious reaction, and associated reduction in box-office $, that was behind the recent stink over US distribution (the film now has a US distributor).
There is nothing in Creation more offensive than a portrayal of the facts of evolution as they were understood in Darwin’s day. And Darwin’s encounter with Jenny the orangutan, which is beautifully represented in the film (well it’s not really acting is it) leaves little more to be said on the question of our own evolution. I’m not about to dive into a lengthy science-religion debate, suffice to say my position is that there are elements of religion as defined by some that are – on the evidence – incompatible with some definitions of science; and that the science-religion debate is an important one with practical consequences for us all.
God’s official in Creation, the local vicar, is played by Jeremy Northam. In one memorable scene, Northam tries to comfort Darwin in his torn anguish, which only sparks a sarcastic tirade from Darwin on the delights of the God-designed parasitic wasp larvae and the burrowing habits of intestinal worms. Northam’s sincerity and Bettany’s losing his temper are both convincing.
I live within an hour’s drive of the real Down House, and know it pretty well. While the house in the movie was not Down, the exterior feel – with large bay windows and patio doors opening to the garden captures the right flavour.
The study has a similar feel to English Heritage’s reproduction of the real thing at Down – even down to Darwin’s screened-off privy. Likewise, the lounge and dining room, while never visible in wide-shot, have an attractive homely ambiance. The village road and church scenes are consistent with the feel of the real Down.
It’s not the end of the world, but a sandwalk scene was noticeable by its absence. The sandwalk for those who don’t know it is a gravelly path leading into the woods near Down House. I tend to imagine Darwin pacing down the sandwalk, under the trees or sheltering from the rain; to be sure – it’s a nice spot for thinking.
To wind up, this movie contains all the main factual, scientific, cultural, and emotional elements I associate with Darwin in this important period in his life. Issues around the compatibility of science and religion are met head on through illustration (if a little caricatured) rather than tedious debate, and we get to see the human, sensitive and fragile side of a scientist.
There is plenty here to enjoy in the theatre, but also much to take home and mull over – with your partner perhaps :-).
I suspect the run up to February 12th 2009 is going to be a bit like Christmas. A lunch here, a dinner there, an afternoon tea at Downe House, an evening at the Natural History Museum. Because February 12th 2009, the 200th anniversary of the birth of Charles Darwin and the 150th anniversary of the Origin of Species, is a very important date. Well at least for some people.
So where are you going to party?
UK readers might consider joining the event being organised by the National Secular Society in London on Saturday 7th February. The NSS is moving its annual Secularist of the Year Award presentation to coincide with the Darwin 200th birthday celebrations – making one big party.
Three-course lunches are promised, plus entertainment that will include a reconstruction of the well known confrontation between Thomas Huxley and the Bishop of Oxford, ‘Soapy Sam’ Wilberforce, at the British Association in 1860. (Scholars amongst you must surely join this just to dissect the production’s ‘angle of spin’?) And as the NSS blurb states – you will be expected to take sides!
You don’t need to be a rabid secularist to join and, if you are a student, tickets are only £15 (£45 for normal people).
In dusting down an old review magazine from my former school, I couldn’t help but notice a similarity, in tone and content, between the mission statement from one of the more formatively influential past headmasters, and some of my favourite lines from Thomas Huxley. As to which of these inspired me the most, or whether the ethos of the one led to a later empathy with the other – I cannot say. Both statements follow. In each case you will have to forgive the sexism; Huxley was a man of the Victorian Age, and Frazer was the headmaster of what was at the time an all boys school. Anyhow, not much evidence for ‘two cultures’ here. Both are worthy sentiments – enjoy !
Huxley first….
“That man, I think, has had a liberal education who has been so trained in youth that his body is the ready servant of his will, and does with ease and pleasure all the work that, as a mechanism, it is capable of; whose intellect is a cold, clear, logic engine, with all its parts of equal strength, and in smooth working order; ready like a steam engine, to be turned to any kind of work, and spin the gosamers as well as forge the anchors of the mind; whose mind is stored with knowledge of the great and fundamental truths of Nature, and of the laws of her operations; and who, no stunted ascetic, is full of life and fire, but whose passions are trained to come to heel by a vigorous will, the servant of a tender conscience; who has learned to love all beauty, whether of nature or of art, to hate all vileness, and to respect others as himself.”
Thomas Henry Huxley
“A school in the twentieth century must try to educate the hands and senses as well as the mind; it will do each separate task the better for attempting all three. It will teach its pupil to create as well as to criticise, by giving him the chance to create in a variety of ways, so that he can find his own particular medium while to some extent sharing the experience of artists and craftsmen of all kinds. It will teach him to find out for himself, as well as to absorb the findings of others. It will try to produce men who may earn a living as scholars or scientists or technologists or craftsmen or artists, but who are to a varying extent all of these at once, and gentlemen too. Thus only can we produce the all-round men we need if the next age is to be one of high civilisation as well as of great prosperity.”
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