Getting Cute at Disneyland

What do they say?  It’s never too late and you’re never too old?   I finally made it to Disneyland (Anaheim) last week.

There we were: doing all the rides – some several times, eating food that’s bad for us, buying stuff we don’t need.  I so want to take the Star Tours sim home with me.

It’s a hard experience to knock.  Except, looking round, aren’t the Disney icons a bit thin on the ground, especially that icon of icons – Mickey Mouse.  Where’s the guy off the TV with his big mouse head, big mouse eyes and ears, flowing tailcoats?  Okay, between whipping round Space Mountain and transfering the contents of the flume into my fleece, our accessibility to roaming mice is limited; but I’m still half disappointed (half thankful too) we’ve avoided a mugging by the world’s cutest rodent – me with my ‘1st Visit’ badge an’ all.

Walt Disney and Mickey Mouse (Photo:Tim Jones at Disneyland, Anaheim)
Walt Disney and Mickey Mouse (Photo:Tim Jones at Disneyland, Anaheim)

Then at the end of the day, as we sit munching Mickey surrogate pretzels, the mouse himself finally shows on the Parade float; and with that box ticked, we head home to live happily ever after.

Hurtling down LA’s great big freeway, I can only mull, through waves of incipient indigestion, the definitive paper on ‘the impact of twelve hours of corn dogs, ice cream and churros on the human body under intermittent acceleration to 3g’.  Shelving that due to data-weakness in cotton candy (with a recommendation for further work), I move to the important question of why exactly is Mickey Mouse so very popular?  Some thirty years ago, evolutionary biologist and sometime Disney scholar Stephen J Gould asked the  very same question.

Gould’s essay, Mickey Mouse meets Konrad Lorenz, originaly pubished in the May 1979 issue of Natural History, and reappearing as  ‘A Biological Homage to Mickey Mouse‘  (link to pdf) in the Panda’s Thumb collection of essays, is a light-hearted yet sound scientific analysis of how Disney artists changed Mickey’s features over the years to make him more innately appealing to us.  Perhaps not knowingly, but in biological terms they’d neotenized him, migrating his more adult features to the juvenile forms we see, and are programmed to endear, in human children.   It’s one of my favourite pieces of science communication and a recommended read.

Disneyland (Photo:Tim Jones)
Disneyland (Photo:Tim Jones)

Animals, real or caricatured, score high on the cute scale if they have: (a) a large eye size compared to head-length, (b) a large head size to body-length, and (c) a large cranium (Gould measured a ‘cranial vault’ ratio for this, only meaningful for Mickey in profile, but equating to what Lorenz describes as “predominance of the brain capsule”).  They display short, thick, extremities – like  stubby legs (Disney achieved the illusion by putting Mickey in shorts), and a short snout (in cartoonland, only villains sport pointy snouts  – think the weasels from Who Framed Roger Rabbit).

The principles from Lorenz’s and Gould’s work have been applied to everything from vehicle design to this assessment of how cute NASA’s Mars rover Spirit is,…to pretzels.

 Applied to animals, they suggest our attitude, affection, concern, and the general way we treat species will be influenced by how closely each resembles a human child – how juvenile they appear.  Conservationists call it ‘survival of the cutest’ –  whereby public conservation support favours attractive species over more deserving cases under a greater threat of extinction.   It’s the reason pandas and badgers get more sympathy than the Purple Burrowing Frog (Nasikabatrachus sahyadrensis), or the Helmeted Hornbill (Rhinoplax vigil) – to pull a couple of real lookers from the IUCN Red List; the former is ‘endangered’, the latter a ‘near threatened’ species.

Even favoured species like dolphins fall off the radar once a variant moves away from a norm we can easily anthropomorphise.  Compare the  Ganges (endangered) and Yangtze (critically endangered, possibly extinct) river dolphins with their slightly odd-looking extended beaks, with the familiar smiley Common Short-Beaked dolphin (‘Least Concern’ on the IUCN list).

Purple Burrowing Frog

 

Helmeted Hornbill. Not such a pretty boy (Wikicommons)

I’m bringing badgers into this because of their prominence in the UK news at the moment, where the government has introduced a controversial culling policy to reduce Bovine TB, which badgers carry.   Controversy centres on the effectiveness of culling (by shooting at feed lures) over other controls like vaccination, and a general point on how transparently science or politics based the decisions have been.  In terms of its conservation status, the Eurasian Badger (Meles meles) is classified by the IUCN as a ‘least concern’ species.

Eurasian Badger

Taking nothing away from the arguments, it’s interesting to test the badger against Gould’s cuteness criteria to see how looks might be influencing popular support.  I got the idea from this Guardian piece that’s against the culling, but suggesting that with respect to “one of Britain’s best-loved animals”…”our attachment to badgers may be irrational” (as is culling, in that author’s view).

Off the blocks things don’t look so good, Mr Badger being a fully paid-up member of your actual weasel family an’ all.  But he’s not stoatish, and from various photos on the web (my preferred methodology short of taking callipers to roadkill), I score him an apparent head to body ratio of five (20%), falling to four (25%) when he bunches up like they do.  Not even up with Mickey’s early Steamboat Willie incarnation at 35%, but still in the ballpark.

Compared to Mickey’s eye to head ratio of 27% to 42% over his career, our badger comes in at unbecoming ratios as low as 7% (measured up the snout, nose to ear) to at best 15% (measured in profile).  But look again.  What we really see in a badger’s face isn’t its beady little weasel eyes, but that glorious stripe (think pandas eyes).  Calculated on stripe width at the eye, the ratios triple, up to a far cuter 35% for the profile.  On the stubby legs criterion the badger is home and dry; it’s hard to even make them out under the fur – a bit like Disney hiding Mickey’s spindles under baggy shorts.  The snout is an enigma though, and there’s no getting round it.  Does the apparent integration of snout, cranium and neck into a continuous cone soften the effect?  Or maybe we see tufty ears and forgive the pointy nose?  On balance though, based on the numbers but with some reservations, I’m going to give the badger his cute badge.

California Ground Squirrel (Photo:Tim Jones)
California Ground Squirrel. Fillng his face – incidentally – improves his cute ratios

I’m not sure the Germans would agree though.  A more oblique cuteness indicator mentioned by Gould, but one I like if only for its reminder of that mouthful of letters Germans use for squirrel – Eichhörnchen – is the wider association of the German diminutive form with certain animals and not others.  So there’s also Rotkehlchen for Robin and Kaninchen for rabbit – all officially cute animals.   I wonder if the trend follows in other countries using a diminutive suffix?  Anyways, the Germans have nicht so honored the badger, who’s a plain simple Dachs (the origin of Dachshund, no less).  I’m making my own stories up now, but have just too many Germans Robin (Photo:Tim Jones)been bitten by (rabid or otherwise) Dachs?  Is the Dachs ‘one of Germany’s best-loved animals’ ?  Guinea pigs are off the cute scale, but Peruvians don’t lose sleep over serving them up for lunch.

And what do North Americans make of their badger, with it’s somewhat skunky appearance?  (To my eyes, the American badger is actually flatter faced and all-round cuter)  And before I diss. skunks too far, remember Pepé Le Pew? – not a million miles off Mickey on the cute ratios.  I don’t know how far Gould and Lorenz factored in cultural variables like these; could be an interesting research topic.

Pepé Le Pew. Even skunks can be cute (Copyright: Warner Bros.)

To wrap up then.  On badgers, I suspect some folks do support them just because they’re cute, but I’m also sure many look rationally at the bigger picture.  Aside from Gould’s criteria, perhaps we should just ask ourselves if, under similar circumstances, we’d put the same effort into saving the poor old Purple Burrowing Frog?

At end though, any improved awareness of factors that influence our thoughts and actions, but are outside our immediate consciousness, is valuable.  That’s what Gould is doing.  I’m just relaying the message and expanding it a bit.

I also like badgers.  And gibbons.

 

 

References

Mickey Mouse meets Konrad Lorenz. Natural History 1979, 88 (May): 30-36.

At the Planetary Society Blog, HERE, Melissa Rice tests the appearance of NASA’s now defunct Mars rover Spirit against the same Gould cuteness criteria discussed in the post.  Fantastic!

A Century of Southern California Aerospace

Blue Sky Metropolis Exhibition at Huntington Library (Photo:Tim Jones)
Blue Sky Metropolis Exhibition at Huntington Library (Photo:Tim Jones)

One of my favourite NASA clips shows the 1972 Apollo 17 lunar module blasting off, bringing home astronauts Eugene Cernan and Harrison Schmidt – the last humans to set foot on the moon.

The film is presently looping, next to an R-18 rocket engine like the one used in the ascent, at the Huntington Library’s  Blue Sky Metropolis exhibition –  chronicaling a hundred years of Southern Californian aerospace.

RS-18 Lunar Module Engine on Display
RS-18 Lunar Module Engine on Display (Photo:Huntington Library Flickr)

There wouldn’t be much of an economy in the region if it wasn’t for aerospace  – that, and the entertainment industry.

From the first fly-ins and air-meets of Wright Brothers’ style aeroplanes in 1910, to the birth of commercial aviation in the 1920s, to World War II fighter production and surveilance aircraft for the Cold War, to a still evolving space programme; this single-room display is an impressive distillation of the events, people, and motivations behind it all.

Blue Sky Metropolis Exhibition at the Huntington Library (Photo:Tim Jones)
Blue Sky Metropolis Exhibition at the Huntington Library (Photo:Tim Jones)

Documented photographs dominate the display.  I liked this shot of a flight hostess in 1929, framed serving tea in the doorway of a Transcontinental Air Transport (TAT) passenger aircraft – something of a contrast to pilot Amelia Earhart leaning against the hanger doors of an aircraft factory.

TAT Hostess, 1929 (Photo: Huntington press release)
Amelia Earhart at Lockheed, 1930s (Photo: Huntington press release)

 

 

 

 

 

 

 

 

Politics might not be the most noble motivation for the conquest of space, but the launch of Sputnik 1 by the Russians in 1957 sure pushed the pace.   In 1958, under Eisenhower and with the passing of the National Aeronautics and Space Act, NASA was formed.  Later that year, the Jet Propulsion Laboratory’s Explorer 1 satellite (the horizonal object in the glass case above) shot into orbit in response to the Sputnik challenge.

The accompanying social commentary is also fascinating, and with family connections (on my wife’s side), we found the photographs of 50’s/60’s laboratory life – like JPL’s all-women ‘platoon’ of mechanical calculator operators lined up at their desks – especially interesting.

(A recent scholarly analysis of NASA history can be had for free in NASA 50th Anniversary Proceedings, NASA’s first 50 Years:Historical Perspectives.  For cultural insights on the era, see my posts Home Chemistry in the Golden Age of American Science and Buck Rogers – a Copper Clad Lesson from History) )

The exhibition isn’t just about NASA though.  For more info, check out the website or visit till the 9th January 2012.

 

Charlie’s Rose

Charles Darwin wrote about roses in his The Variation of Animals and Plants under Domestication, but I’m guessing he didn’t expect a variety would be named in his honour.

Charles Darwin rose in the grounds of the Huntington Estate, San Marino (Photo:Tim Jones)
Charles Darwin rose in the grounds of the Huntington Estate, San Marino (Photo:Tim Jones)

I stumbled upon these today in the gardens of the Huntington (Library, Art Collection, Botanical Gardens) Estate in San Marino.    According to this rose dealer, the variety is hardy, with a ‘strong and delicious fragrance that varies between a soft, floral Tea and almost pure lemon according to weather conditions’.  Sounds like it would be right at home at Darwin’s former home in Kent (where it may indeed be for all I know).  Whatever.  Compared to some of the other blooms on show today, most of which were wilted or entirely dropped off in the December chill, these Darwin specials are putting up a pretty good show.

Charles Darwin rose (Photo:Tim Jones)Charles Darwin rose tag (Photo:Tim Jones)

Contrary to popular opinion, the British aren’t all manic gardeners, and I wouldn’t ordinarily get over-excited about a rose garden.  But spurred on by the father of evolution, I scouted out a few more scientifically inspired varieties.  Marie Curie is hanging in there but looking the worse for wear:

Marie Curie rose (Photo:Tim Jones)And one Archimedes would have approved of:

Eureka rose (Photo:Tim Jones)

Leonardo needs some tidying:

Three for the astronomers:

 

 

 

 

 

 

 

 

 

 

The geologist’s choice looks the part:

 

 

 

 

Arctic explorers only:

Then a few others that aren’t really scientific but I find interesting, intriguing or odd – I didn’t expect to find ‘Pimlico’ and the ‘Radio Times’ in California – included:

Whisky Mac, Anne Boleyn, Radio Times, Brilliant Pink Iceberg, Brownie, Everest Double Fragrance, Moon Shadow, Bewitched, Pimlico ’81, Amelia Earhart, The Doctor, School Girl, Yellowstone, Octoberfest, Charles Dickens, Dynamite, and Smiles.

Maybe gardening’s not so boring after all.

Huntington Rose Garden on a sunnier day in 2013 (Photo:Tim Jones)
Huntington Rose Garden on a sunnier day in 2013 (Photo:Tim Jones)

Richard Feynman’s Grave

Richard Feynman's Grave at Mountain View Cemetery (Photo:Tim Jones)
Richard Feynman’s Grave at Mountain View Cemetery (Photo:Tim Jones)

Today I paid my respects at the grave of physicist Richard Feynman, interred with his wife Gweneth at the Mountain View Cemetery in Altadena, California.  Feynman died of cancer in 1988 and his wife died the following year.

Richard Feynman's Grave (Photo:Tim Jones)

The grave is marked by a very simple plaque, which my wife and I would never have found without the help of the cemetery staff.  Even then, until we brushed it off, the plaque was barely visible among the leaves and twigs –  fallout from the Santa ana winds that have just ripped through the region.

Richard Feynman at Fermilab. Image in public domain and available via Wikicommons

Today was calm and sunny though, and the cemetery is a beautiful spot to find yourself.  Lots of trees with birds and squirrels running about, the whole overlooked by the San Gabriel Mountains and Mount Wilson (of 100 inch telescope fame).

Feynman researched and taught as Professor of Physics at the nearby California Institute of Technology in Pasadena from 1950 until his death.

Here are some more photos at the cemetery:

If you don’t know about Richard Feynman, I recommend in addition to his Wikipedia  page you check out the biographies Genius by James Gleick, and Quantum Man by Lawrence Krauss.  I also enjoy failing to completely understand (note the word order) Feynman’s 1979 Douglas Robb Memorial Lectures on Quantum Electro-dynamics (QED).

More recently, here’s physicist Leonard Susskind’s personal insight on the man in his January 2011 TED talk ‘My friend Richard Feynman’

and the BBC Horizon ‘No Ordinary Genius’:

Total Lunar Eclipse 10th December 2011

Lunar Eclipse, 10th December 2011, 5.40 PST from Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th December 2011, 5.40 PST from Los Angeles (Photo:Tim Jones)

I took these photographs between 5.00 and 6.15 a.m., 10th December 2011, from the foothills above Los Angeles near Pasadena. Here’s the progression through to totality at around 6.05 a.m.

  Pics taken on Canon 7D, 100-400 L, Various ISO 200-800, 100th" - 1" f6.3
Pics taken on Canon 7D, 100-400 L, Various ISO 200-800, 100th" - 1" f6.3
Lunar Eclipse, 10 Dec. 2011, 5.15 PST Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.15 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.24 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.24 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.33 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.33 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.35 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.35 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.39 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.39 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.40 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.40 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.50 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.50 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.50 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10 Dec. 2011, 5.50 PST, Los Angeles, Photo:Tim Jones
Lunar Eclipse, 10th Dec 2011, 5.55 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 5.55 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.00 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.00 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.02 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.02 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.04 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.04 PST, Los Angeles (Photo:Tim Jones)

 

Lunar Eclipse, 10th Dec 2011, 6.04 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.04 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.08 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.08 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.11 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.11 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.11 PST, Los Angeles (Photo:Tim Jones)
Lunar Eclipse, 10th Dec 2011, 6.11 PST, Los Angeles (Photo:Tim Jones)

 

Steven Pinker in conversation with A.C.Grayling at the Wellcome Collection

I’m conscious the blog has a science-celeb Picture Posty feel of late; but remember: (a) there have been an unusual number of cool events in London the past couple of weeks, (b) you like this stuff :-P, (c) someone’s got to do it.

Steven Pinker at the Wellcome Collection (Photo:Tim Jones)
Steven Pinker at the Wellcome Collection (Photo:Tim Jones)

More importantly, you need to know tonight’s conversation with Anthony Grayling and Steven Pinker at the Wellcome Collection was quite excellent, and it’s well worth catching the BBC World Service broadcast of the event on Christmas Eve and again on Christmas Day: details here.

A.C.Grayling at the Wellcome Collection (Photo:Tim Jones)
A.C.Grayling at the Wellcome Collection (Photo:Tim Jones)

The Pinker canon of academic and popular science writing covers broad ground: from the ‘Stuff of Thought‘s analysis of language and the (amazingly dull sounding but actually very interesting) irregular verbs, through the controversial nature-nurture territory of the ‘Blank Slate‘, to pontification on the (relative) demise of global violence in the recent ‘The Better Angels of Our Nature‘.

Tonight, Grayling steered the Canadian psychologist through the whole smash in about 80 minutes, including a good twenty minutes or more of intelligent audience questions.  The proceedings were introduced as part of the ‘Exchanges at the Frontier’ series by Wellcome’s lead on public programmes Ken Arnold, and Charlie Taylor for the BBC.

Watch out for the broadcast; but as usual here’s a few facts, quotes, stuff-that-I-remember-or-jotted-down, mindless ramblings, as a taster:

The first part of the conversation was about language.  Discussing a generic mental model of how we use metaphor in day-to-day speech, Pinker used the example of  ‘grasping an idea’, ‘getting across’ an idea, to ‘unpack’ an idea – asking us to take the underlying metaphor as a little marble in a box.  The box here is language, we communicate by sending the box, we open the box, the marble inside is the meaning. (Re communication and meaning, also check out my post on James Gleick’s The Information re Claude Shannon, and follow your nose from there.)

Steven Pinker and A.C.Grayling in conversation at the Wellcome Collection (Photo:Tim Jones)
Steven Pinker and A.C.Grayling in conversation at the Wellcome Collection (Photo:Tim Jones)

On another tack, Pinker linked our tendency for profanity – swearing – to the emotional parts of our brain (rather than the rational/cognitive) and activation of the ancient mammalian ‘rage circuit’ – as likely to be triggered by stubbing our toe or sitting on a cat (in which case from the cat’s perspective).  The cat yowls to startle an attacker; our evolutionary hangover induces a good old-fashioned “F***!” (In deference to the BBC he didn’t say it quite like that).

A round of audience questions on language: “Gentleman in the russet tee-shirt” (in the nicest possible way, Grayling is very good at this), and we’re on to subtlties of the mind.  Pinker elaborates his Blank Slate quote “The conscious mind – the self or soul – is a spin doctor, not the commander-in-chief” with reference to how we lie to ourselves (we do), as a means of sounding more convincing when we lie to others: a kind of practice for consistency.  (Pinker referred to Robert Triver’s on this theme, who’s views are expanded here in the Guardian.)

Answering a related audience question on the necessity of language for introspection (e.g. in babies with no language yet), Pinker referenced the ‘default network’: simply put, what your brain is doing when you’re not really thinking on anything in particular.  This seems pretty key, that we can think unconsciously and experience concepts without language.  And while I take Pinker’s point that children must have some non-language dependent cognitive ability to be able to adopt a language in the first place, I suspect there’s a lot we don’t know.

Moving to his latest focus – violence –  Pinker contrasts our violent impulses (e.g. predation, rage) with a counter-tendency for self-control: the infrastructure for his latest book’s broader thesis of inner demons versus better angels.   The ensuing discussion on murder, ideological violence and sadism (an acquired taste, like chili peppers) is probably best left for your Christmas Eve listening.

So what happens when the better angels pull ahead of the pesky demons?

Pinker says we get a general decline in violence.  One that he can illustrate with statistics of murder rates, wars, attrocities – you name it – it’s declined; not necessarily in absolute terms, but on a pro-rata basis for a given population (in the book Pinker explains why this might be a sensible way of measuring things).

Graphs aside though, with all the turbulence in the world today (economic and otherwise), the thrust of the wind-up Q&A was around how permanent this new low-violence regime might be.  Encouragingly – just what we’ll need at Christmas – Pinker suggests Greece won’t in fact be going to war with Germany anytime soon [despite everything], and, likewise, the USA and China will be cool (think: “they make all our stuff, we owe them too much”).

So.  For the most part. We can.  Relax.

 

(p.s. I asked my own question on how the observed virtuous developments in culture and human nature might somehow express (or have been expressed) in our biology, whether through  genetics or epigenetics, and got a good answer from Pinker. They’re bound to broadcast that bit, but if they don’t I’ll expand in a future post). Update:  [they did here]

 

 

David Attenborough – Darwin Lecture 2011, ‘Alfred Russel Wallace and the Birds of Paradise’

Tonight I joined the 2011 Darwin Lecture, with Sir David Attenborough speaking on ‘Alfred Russel Wallace and the Birds of Paradise’,  organised and hosted by the Royal Society of Medicine in association with the Linnean Society of London.

David Attenborough at the Darwin Lecture 2011
Sir David Attenborough (Photo:Tim Jones)

Fresh back from a trip to Borneo – no less, the spritely 85-year-old was introduced by Professor Parveen Kumar, President of the Royal Society of Medicine, and Dr Vaughan Southgate, President of the Linnean Society.

Be it via the TV or lecture theatre, David Attenborough plays to full houses all the time, and this November evening was no exception.

His account of Wallace’s ocean voyage to the Malay Archipelago and pioneering observations of that unique group of theatrical show-offs: the Birds-of-paradise, made for an informative and fun evening – all the merrier thanks to a generous ration of film clips showing the birds’ unlikely courtship rituals.

But the real take-home for me was Attenborough’s poignant re-telling of the Wallace-Darwin story: How the two  independently arrived at that world-changing idea for the origin of species – natural selection –  whereby only the better-adapted offspring of animals survive and pass on their qualities to a new generation.

David Attenborough at the Darwin Lecture 2011 Photo by Tim Jones
Sir David Attenborough (Photo:Tim Jones)
Male Great Bird-of-paradise (Wikicommons)

Darwin had for years been working on his own version of natural selection from the comfortable surroundings of his home Down House, but had held back from publishing.

Then in 1858, Darwin receives a letter from Wallace, incapacitated with Malaria and holed-up in a shack on the Mollucas Islands of the Malay Archipelago.  In it, he asks Darwin for an opinion on some ideas he’s had on the introduction of new species: ideas very similar to Darwin’s own.

David Attenborough at the Darwin Lecture 2011 Photo by Tim Jones
Sir David Attenborough (Photo:Tim Jones)

Wallace’s communication is a bombshell.  Yet for Darwin, the fear Wallace might publish first, pipping him at the post, is nothing compared to his horror of being branded a thief.  So, after consultation with his scientific confidants, including Joseph Hooker but necessarily excluding the remote Wallace – Darwin’s camp decide a joint announcement of their common idea should be made at the Linnean Society in London, in the form of two short essays comprising Wallace’s note and a summary of Darwin’s work.

Sir David Attenborough (Photo:Tim Jones)
Sir David Attenborough (Photo:Tim Jones)

All goes to plan at the Linnean, and in due course Darwin publishes the full text of the ‘Origin of Species’ – with all the turbulent aftermath that comes with it.   Wallace is comfortable with events, and pleased by the new associations he sees himself making in Darwin’s circle.  He remains abroad, observing his beloved Birds-of-paradise .

David Attenborough and Vaughan Southgate at the Darwin Lecture 2011 Photo by Tim Jones
Sir David Attenborough, Dr Vaughan Southgate (Photo:Tim Jones)

Darwin, Attenborough said, made known his view that Wallace was capable – had he enjoyed Darwin’s own means – of producing the ‘Origin’ himself.  Wallace on the other hand was more than grateful that the painstaking task of collation, supporting work, and documentation demanded of the masterwork had fallen to Darwin.   In the lingo of the day, they’d reached a gentlemanly solution with no ill feelings all round.

David Attenborough at the Darwin Lecture 2011 Photo by Tim Jones
Sir David Attenborough. At the end of his lecture he received a framed memento of the event and an award from the Society for the History of Natural History. (Photo:Tim Jones)

Wallace produced much original work based on his observations of bird populations in the Malay Archipelago, which he captured in his book of the same name (The Malay Archipelago). Specifically, he identified the so-called ‘Wallace-Line‘ that runs between the islands of Bali and Lombok, separating two geographic regions whose animals Wallace found to be distinct and associated with either Australian or Asian origins.  What he’d observed, without recognising it as such, was a product of moving land masses – or plate tectonics.

Related video:

David Attenborough talks about his fascination with birds of paradise (Nature Video)

 

 

Matt Melis Shares 30 Years of the Space Shuttle at the London Science Festival

There are so many science events going on in London at the moment, it’s hard to know what to join and what to skip.  But last night’s London Science Festival talk by NASA’s  Matt Melis was a no-brainer – and quite excellent.

Matt Melis, NASA Glenn Research Center at London Science Festival 2011
Matt Melis, NASA Glenn Research Center at London Science Festival (Photo:Tim Jones)

Not only is Melis an ‘insider’ who’s up for sharing those tidbits of information and video clips you don’t normally see; but he’s also an engineer with a math and physical modelling background that resonates a little with my own research roots; so I guess I’m a fan.  The event was organised by Francisco Diego (UCL Physics & Astronomy) and Melis was introduced by writer/film-maker Chris Riley (In the Shadow of the Moon, First Orbit, Space Shuttle the Final Mission).  Melis collaborated with Riley on his production Final Mission with Kevin Fong, and has his own movie Ascent out on YouTube (embedded below).

Francisco Diego, Chris Riley, Matt Melis at London Science Festival Photo:Tim Jones
Francisco Diego, Chris Riley, Matt Melis at London Science Festival (Photo:Tim Jones)

Kicking off with an all-round engineering tour of the shuttle, the focus soon turned to the intensive ‘return to flight’ programme NASA pursued after the STS-107 Columbia disaster of 2003.

The cause of the accident was traced to a wing leading-edge being damaged by a briefcase-sized piece of insulating foam detached from the fuel tank during launch.  Melis described the variety of model tests used to confirm the analysis and help pre-empt future impact scenarios.  So, lots of high speed film of various projectiles, from foam to ice, impacting various bits of Shuttle; the whole thing made more real by the samples of foam, orbiter leading-edge material, and a cross-section of the aluminium/foam fuel tank composite he passed around the audience.

Feeling the foam’s super-lightness in your hand brings home just how counter-intuitive reality can be.  Travelling fast enough – over 500 mph in this case – the impact of an apparently harmless piece of foam is devastating.  Melis showed the clip in this video of a full-scale impact test of foam hitting an actual Shuttle leading-edge section:

The key take-away for NASA, and I guess for all of us, is that we learn most through failure – painful as that can be.

Vulture falls away after impact with STS-114, 2005 (Photo:NASA)
Vulture falls away after impact with STS-114, 2005 (Photo:NASA)

Management systems and general attitudes, as well as technology, changed over the Shuttle’s 30 year life.  Melis showed  a photo of icicles hanging off the gantry of the ill-fated Challenger launch-pad: they weren’t the cause of the disaster – that was the booster O-rings – but they could have been if they’d got caught up in the turbulence of the launch.   Nobody thought that way back then though, or the information didn’t get to the right people.  Similarly, on one of the HD videos that NASA started using extensively post-Columbia, Melis showed a bunch of vultures sitting on the gantry at launch, at least one of whose number (all six foot wing-span of him), spooked by the engine start-up, ended up smashing into the rising fuel tank.

All in all a great evening, but not one I’m going to recount in its entirety here.  Here’s a flavor though in Melis’s Ascent:

 

Bonus Clips from Ascent:

Lawrence Krauss Sprinkles Stardust at the School of Life

I’d heard of Alain de Botton’s School of Life  and its  “good ideas for everyday living“; I just hadn’t been to one of their ‘Sunday Sermons’.

Lawrence Krauss at Conway Hall 16th October 2011. Photo by Tim Jones
Krauss 2.0 ?

So arriving at Conway Hall yesterday to hear theoretical physicist and all-round science communicator Professor Lawrence Krauss talk about Cosmic Connections, it was an unexpected but not disagreeable surprise to find David Bowie and a seven foot spandex-clad devil stirred into the mix.  I for one can’t think of a better preparation for contemplating one’s insignificance in a miserable futureless universe than a good singalong to Space Oddity.

Conway Hall (Photo:Tim Jones)
Conway Hall (Photo:Tim Jones)
Lawrence Krauss at Conway Hall 16th October 2011. Photo by Tim Jones
“You are stardust; it is literally the most poetic thing I know about in all of science”

On the face of it, Krauss’s ultimate message is a bit grim: that our expanding, accelerating, universe will eventually dilate into cold, empty, blackness.  But, more positively, he’s saying we should take all that as read and concentrate on our perspective: understand what we really are and how we connect with the universe.  Then the journey to oblivion doesn’t look so miserable afterall; it looks fascinating – even poetic.

Lawrence Krauss at Conway Hall 16th October 2011. Photo by Tim Jones
Stardust meets Starman

Krauss’s consciousness-raising / cheer-up therapy centred around three less than obvious connections we have with the cosmos:

First off – we are the universe.  We’re made of stars.   The heavy elements that make us up could only have been made in stars, and they could only end up as part of us if they were blasted out of exploding stars: the supernovae.

Crab Nebula
You were here…

Call me a romantic, but I like the imagery.  Bits of me: hands and feet, arms, legs, head, brain – they didn’t just pop up a few decades ago, but have been flying around for billions of years and will be around for billions more.  I’ve been inside an exploding supernova – several most likely.

Lawrence Krauss and the Devil. Photo by Tim Jones
Straight on at purgatory, then right at the second circle….

devil photo Tim Jones
What the….

Next came the connectedness of life, with a nice story of Krauss sitting to write a physics paper, aware  he’s breathing the very atoms breathed by Einstein as he formulated his own theories (inspired inhalation?).  We’ve all got a bit of Julius Caesar in us it seems – literally.  And on the larger scale of the solar system, the exchange of possible life-bearing rocks between the Earth and other planets, including Mars, could mean we’re all extra-terrestrials without even knowing it.

Lawrence Krauss at Conway Hall 16th October 2011. Photo by Tim Jones
“The future is miserable”

Krauss’s final illustration challenges our perception that aspects of reality we normally consider outlandish and irrelevant to our day-to-day life do indeed have a direct influence on us.  The mundane activity in question is navigation by Global Positioning System (GPS), where the consquences of not correcting for satellite speed (Special Relativity), and height above the Earth (gravity effect/General Relativity), on measurement of the requisite nano-second scale signal transit times, would in only a day be sufficient to put ground track navigation out by several kilometres.

“Ground control to Major Tom”
Lawrence Krauss at Conway Hall 16th October 2011. Photo by Tim Jones
“Bits of Mars are falling on Earth all the time”

I really like this GPS example and the way Krauss presented it.  There was no such thing as GPS when I was at school, so all we got were stories of atomic clocks losing time when they were shot round the world on fast planes, or hypothetical astronauts of the future going on fictional journeys.  To be able to relate relativistic effects to a very real navigational error that normal folk can recognise and care about is brilliant.

Who’d have thought Sunday sermons could be such fun?

Lawrence Krauss and Tim Jones Photo Sven Klinge
It’s important to help struggling authors….

Photographs copyright Tim Jones.

Final photo: Thanks Sven Klinge.

Update 4th Dec. 2011 Video of the event:

Lawrence Krauss on Cosmic Connections from The School of Life on Vimeo.

Also of interest? – Lawrence Krauss recently on Materials World with Quentin Cooper (about 15 mins in)

 

 

Book Review: Tweeting the Universe, by Marcus Chown & Govert Schilling

Tweeting the Universe

  • Hardcover: 320 pages
  • Publisher: Faber and Faber (3 Nov 2011)
  • Language English
  • ISBN-10: 0571278434
  • ISBN-13: 978-0571278435
  • Product Dimensions: 20.4 x 13.4 x 2.9 cm

 

What do they say: small on size, big on content?  That’s not a bad description of my latest reading.

For a while, I’ve followed physicist and science writer Marcus Chown bravely fielding science questions on Twitter.  And with his friend Govert Schilling doing the same from the Netherlands, it was only a matter of time before we saw Tweeting the Universe: the authors’ new Q & A astronomy book – where the answers come in tweet-sized bites.

Truth be known, they’ve been a bit sneaky here, as the answers aren’t limited to JUST 140 letters – although, in fairness, that would have made for a rather short read.   Instead, each answer comprises a series of ten or so tweet-sized mini factlets that form a complete explanation to – wait for it – 140 questions, grouped under themes like: the moon, planets, sun, stars, galaxies, life in the universe, telescopes etc.  Pedantic nitpicking aside though, when you’re in the groove of this slightly odd format there are noticeable benefits.

For starters, this tweet-speak thing is a great way of absorbing a lot of information on a whole range of topics in a short time.  That’s thanks to the super-high information density that Twitter-style compression delivers over an already substantial 300+ pages; because, like ‘Twitter proper’, there’s no space wasted with redundant language and niceties.  The result is a succinctness and clarity of argument too easily obscured by other formats.

I suspect getting there was no small deal.  Twitterers of the world know how tough it is to condense their message to an essence that followers will still understand, but Chown and Schilling had the trickier job of designing for a broad non-specialist audience.  Not that their efforts will stop my old English teacher spinning in her grave at some of the grammar.

And while it might not be the first choice of seasoned professionals (don’t know though) or those who in general like to submerge in the detail, Tweeting the Universe should have wide appeal, and particularly with the attention-deficit-disorder-generation whose name is written all over it.  The longest you’ll ever have to stick with a topic is one and a half pages.

I read a lot of popular astronomy and physics, but still found questions I’d never think of asking and others I only thought I knew the answer to, like: “Are the stars artificial?”, and “Why is Uranus lying on its side?”  I didn’t know our galaxy has so many satellites, and it was good to revisit some of the less obvious ‘goldilocks’ factors without which humans might not have evolved on Earth: like our stabilising moon and a rather convenient dinosaur extinction.

The content is authoritative, but presented in a light style with an edge of humour: it’s comforting to know the sun would be just as hot if all its hydrogen were swapped for bananas.   There’s also a nice seasoning of the science with cultural and historical references: like the origin of the expression ‘rare as a blue moon’; and the fact the Incas and Aboriginies named constellations not only after star patterns, but also the dark shapes made by gas clouds in the Milky Way (I guess living away from the city gives you these options).

And lastly, I’m reassured that at least one aspect of the universe is constant across all literary forms: namely, that scientists are as clueless about the nature of Dark Matter and Dark Energy in Tweet-form as in any other.

All in all then, Tweeting the Universe is a rich little knowledge bomb, recommended equally for consumption over  a weekend or as an occasional ‘dipper into’ before bed or  between tube stops.   And with Christmas on the way, a nice little stocking-filler too.

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